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There is little doubt at this point in time that one of the most brilliant directors in all of the movie industry is Christopher Nolan. If you go through his catalog of movies, it would be an understatement to say that Christopher Nolan is consistent; all of his movies are exceptional. It is truly remarkable how many great movies he has thus far in his career.

This article will discuss what I consider to be Nolan’s greatest films.

The first movie that I will discuss is Memento. When you want to talk about revolutionary and unique films, Memento has to be mentioned in the conversation. Memento is a story about a detective who has no short term memory. Enough said.

Another film that I would certainly include on this list is The Prestige. This is easily one of my favorite films in recent memory. This a story of a rivalry between two obsessive magicians, played by Christian Bale and Hugh Jackman.

Another movie that makes the Cut is Batman Begins. Before this movie, with the exception of Batman Returns, there was no half decent Batman film. Nolan truly revived this franchise from the dead and has created one of the most successful superhero sagas in the process.

It goes without saying that Nolan’s most recent film, Inception is included on this list. Inception was a truly original screenplay, written by none other than Christopher Nolan. This movie redefined my standards of what a science fiction film should be.

The last movie to make the cut is Nolan’s most successful film to date. I am of course talking about The Dark Knight, the sequel to Batman Begins. I might be wrong, but at the time I write this article I believe The Dark Knight is one of the five highest grossing films of all time.

The master of suspense is an excellent study for any future filmmaker, not because of his famed cinematography or his technical achievements but because of his ability to tell a story using images.

The art of visual storytelling is something we seem to lose more and more in today’s entertainment industry. From the first films, it was the visual element that brought the audience together. A picture, they say, is worth a thousand words, and yet today’s films have a tendency to cram as many words in as possible.

Hitchcock was a expert at communicating in pictures. In The Lady Vanishes, Miss Froy’s name on the window and the spinning train wheels are perfect examples. The popping flash bulb in Rear Window and the shot of Arbogast falling down the stairs after being attacked by mother in 1960s Psycho are all equally terrifying images.

Hitch (as he was affectionately known by most everyone) began his career in Europe first, and later moved to America with his wife Alma, who he met when she played the part of continuity supervisor on his early projects. Of the films he produced during his European phase, which include The 39 Steps and Jamaica Inn, the most toned example of the coming renaissance he would create was a picture based on Ethel Whites novel, The Wheel Spins.

This film was basically an invention, though the plot was loosely based on the novel, and showcases some of his most intricate emotional work. The picture cuts fast: faster, in fact, than many European films of the day. There is a ton of information available for the viewer to take in here, most notably the great secret on which the wheels of the film spin.